Somewhere He Himself became the candle that lights up the gathering, and somewhere He Himself turned into a moth and burned.

This couplet beautifully captures the mystical Sufi philosophy of divine oneness, where the Creator and the creation become indistinguishable. Using Urdu poetry's classic motif of the candle and the moth, the poet suggests that the Divine is both the enchanting light of the gathering and the devoted lover who burns to ashes in pursuit of it. In this tender paradox, love becomes a complete circle—the seeker and the sought, the flame and the devotion, are ultimately born of the very same essence.