Ghazal

Be-Kasana Ji, Giraftari Se Shevan Mein Raha

बे-कसाना जी गिरफ़्तारी से शेवन में रहा

Mir Taqi Mir· Ghazal· 7 shers

This ghazal describes various aspects of 'Be-Kasana Ji's' life, focusing particularly on his imprisonment and intense experiences of love. It portrays how an individual went through extreme experiences of love and passion, emphasizing emotional struggle and the feeling of separation (virah).

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Sher-by-sher meaning

Reading Script
1
बे-कसाना जी गिरफ़्तारी से शेवन में रहा इक दिल-ए-ग़म-ख़्वार रखते थे सो गुलशन में रहा
Be-Kasana Ji, in confinement, spent time in the garden of sorrow, A heart that was an admirer of sorrow remained in the blooming paradise.
Be-Kasana Ji, who was in confinement, spent time in the garden of sorrow, but his heart that loved sorrow remained in the blooming paradise.
2
पंजा-ए-गुल की तरह दीवानगी में हाथ को गर निकाला में गरेबाँ से तो दामन में रहा
Like a garden of flowers, the madness took hold of the hand, If pulled from the curtain, it remained in the hem.
Like a garden of flowers, the hand was taken by madness; if pulled from the curtain, it remained in the hem.
3
शम' साँ जलते रहे लेकिन न तोड़ा यार से रिश्ता-ए-उल्फ़त तमामी 'उम्र गर्दन में रहा
Though the flame of separation kept burning, my beloved did not break the bond of affection; the eternal bond of love remained in my neck.
Though the flame of separation kept burning, my beloved did not break the bond of affection; the eternal bond of love remained in my neck.
4
डर से उस शमशीर-ज़न के जौहर आईना साँ सर से ले कर पाँव तक मैं ग़र्क़ आहन में रहा
From the shining mirror of the sword-wielder's fear, I remained immersed in the tide from head to toe.
From the shining mirror of the sword-wielder's fear, I remained immersed in the tide from head to toe.
5
हम न कहते थे कि मत दैर-ओ-हरम की राह चल अब ये दा'वा हश्र तक शैख़-ओ-बरहमन में रहा
We did not say that one should walk the path of the forbidden, / But now this claim has spread among the learned and the common.
We did not say that one should not walk the path of the forbidden/secret, but now this claim has spread among both the learned and the common people.
6
दरपय-ए-दिल ही रहे उस चेहरे के ख़ाल-ए-सियाह डर हमें उन चोंटों का रोज़-ए-रौशन में रहा
The heart's curtain remains that dark face's pallor, We fear those wounds in the bright day's show.
The curtain of the heart remains on that dark face's pallor, and we fear those wounds visible even in the bright day.
7
आह किस अंदाज़ से गुज़रा बयाबाँ से कि 'मीर' जी हर इक नख़चीर का उस सैद-ए-अफ़्गन में रहा
Oh, what a style with which you passed through the desert, 'Meer' / That every trace of your existence remained in that Afghan saint.
Oh, what a style with which you passed through the desert, 'Meer'. That every trace of your existence remained in that Afghan saint.
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