These days, the desire to commit sins has increased even more, and it feels as though the door of divine mercy is about to open.

The poet plays with a daring spiritual paradox here: the urge to transgress has suddenly grown, as if anticipating that the doors of divine grace are about to swing wide open. It suggests an intimate, almost mischievous trust between the lover and God, where human fault exists merely to allow infinite mercy to manifest its grandeur. Rather than feeling dread or guilt, the heart basks in an audacious confidence in the Divine's boundless compassion.