The passion for these city-style ghazals has now pulled me; my heart's wildness has increased, and the soul's comfort has become a pleasure.

This powerful couplet speaks to the conflicted nature of modern love. Mir Taqi Mir suggests that the passion of love (junoon) is now drawn to the dramatic, sometimes artificial, allure of urban ghazals. The paradox lies in the second line: the desolation of the heart (wahshat-e-dil) increases, yet the soul finds itself in a state of intoxication or revelry (ram). It captures that painful, beautiful feeling of finding euphoria even amidst deep loneliness.