Whose beauty has made the mosque and the monastery, among these idols, who is that God? (Meaning: Whose beauty is so great that it has inspired both a mosque and a monastery; such beauty renders the concept of God irrelevant.)

This couplet is a profound exploration of the overwhelming power of beauty (Husn). The poet suggests that the beauty of the beloved is so divine and potent that it has inspired the construction of religious structures—mosques and monasteries. It poses a rhetorical question: if such unparalleled beauty exists, what role does God play among these idols of devotion? It elevates the beloved's beauty to a near-divine status.