Oh, Sanjar, the mirror of the world of Jahangiri, / Oh, man of the Kalandar, with the style of a queen.

This couplet presents a profound contrast in masculinity and style. The first line refers to the opulent, polished mannerisms of the Jahangiri court (Sanjar and Tughral), representing courtly life and grandeur. The second line contrasts this with the raw, unrestrained spirit of the Qalandar—a free-spirited mystic. Allama Iqbal is challenging the listener: are you interested in the superficial splendor of the palace, or the genuine, rugged truth of the soul?