Two or three corpses are still lying outside your door, and further ahead, four or five are already buried under the earth.

This couplet uses vivid, dramatic hyperbole to convey the lethal magnetism of the beloved. The poet paints the beloved's doorstep as a quiet graveyard of passion, where fresh victims of love still lie fallen while earlier ones are already buried under the soil. It is a darkly poetic look at devotion, showing how the cruel indifference of beauty endlessly consumes those drawn to it.