Fierce burning eventually cools down. This is juxtaposed with the transactional nature of 'ji-ji' words, which represent superficial or sycophantic dealings.

This couplet vividly portrays a contrast between intense inner feelings and superficial outward expressions. The first line, 'Dhag dhag jale oray,' describes an intense, burning sensation, like a fire blazing within. This could represent deep emotions, passion, or even hidden pain that consumes one from the inside. In stark contrast, the second line, 'Ji-ji shabda na vepar,' talks about the 'business of 'yes, yes' words.' This refers to the polite, often agreeable, but perhaps insincere or transactional exchange of words in society. It highlights how genuine inner turmoil or strong feelings are often met with or masked by a superficial readiness to agree, lacking true engagement or depth.