The garden of cold Mehari, which was graced by the bloom-colored hue, has now draped itself in a shawl of cloud-like spring.

This profound couplet speaks to the overwhelming coldness of the beloved's heart. Mir Taqi Mir suggests that the beloved's indifference is so absolute that even the vibrant, life-giving shawl of spring (abrar-e-bahar) cannot warm it. It is a lament on emotional detachment, where nature's greatest beauty holds no sway over the chill of a heart that is already distant and unmoved. It captures the despair of unrequited love.