The excuse (or reason) of the beloved's beauty has disappeared, and the rose in the garden has become the spectacle for the eyes.

This couplet beautifully captures the intoxicating power of the beloved's beauty. The poet, Mir Taqi Mir, suggests that the beloved's sheer charm (Jamal-e-yaar) has become a justification for everything. When something is truly breathtaking, even the most beautiful things—like flowers in a perfect garden—lose their luster. The beloved's presence eclipses all other forms of beauty, making them the only reality that matters.